DFI LANParty LT X48-T2R

Audio Performance

The audio performance tests were done using Audio Rightmark 6.0.5 and a 3.5mm gold plated, oxygen free stereo loop back cable between stereo out and microphone input. Results were taken at the DVD sample rate of 16-bit/48KHz and High Definition 24-bit/96KHz.

What we're looking for:

• Noise Level: A higher negative is better. This is usually viewed in relation to a signal level which provides a signal to noise ratio. As you get closer to zero there's more noise and lesser audio fidelity.
  
• Frequency Response: Two values listing how close to the lower higher frequencies the codec can reach. If it hits them perfectly it'll display a 0, 0.
  
• Dynamic Range: The difference between the loudest and quietest sounds the codec can make before it distorts them. The larger the gap, the better.
  
• THD and IMD percentage: Closer to zero is better. THD and IMD are best looked at together, where as if you have a lot of THD and not much IMD, then it'll offer a warmer accurate sound. High THD and IMD provides a warm, inaccurate sound, low THD and high IMD gives a cold inaccurate sound and finally low THD and IMD gives a cold accurate sound.
  
• IMD = intermodulation distortion and is a fancy way of saying conversion interpolation, which is a basic detection of the quality loss after an analogue to digital then digital to analogue conversion. By comparing it to a highly compressed source it shows up problems with the codec and converters.
  
• THD = total harmonic distortion, which shows up unwanted harmonics; integer multiples of the original component sound that can be second, third, fourth degrees or overtones for example.
  
• Stereo Crosstalk: where the stereo channels "talk" to each other and interact. Ideally you want them entirely separate, unmixed or echoed in either channel, so a higher negative a result as possible is preferred.

16-bit / 48KHz

24-bit / 96KHz

DFI continues its trend of high quality onboard audio by using the premium Realtek ALC885 7.1 Channel High-Definition audio codec on its Bernstein audio daughterboard. DFI premièred the daughterboard idea a few years ago with its Karajan audio module and the Bernstein card is merely an extension of this providing better features and freeing up the Rear I/O space.

The result is, well, excellent. With an SNR in excess of 90dB it exceeds the performance of the Gigabyte with its ALC889a by quite a margin. The card doesn't even feature low ESR surface mounted capacitors, let alone solid aluminium capped so it seems the benefit of a separate card outweighs the cost of higher quality capacitors.